James Fee on remaining relevant as a GIS professional

At this year’s GIS in the Rockies, James Fee gave an enthralling keynote targeted at GIS professionals on the topic of how to remain relevant in the age of change (or What GIS Pros Can Do to Keep Their Skills in Demand).

GIS at the forefront James FeeHe went through his own discovery of maps and technology beginning with atlases and continuing with a lot of the key technologies of the past decades most of which I can remember such as personal computers (Atari 800), the Logo programming language, Turbo Pascal, Hypercard, Freehand, Hamster dance (which I don’t remember), the first releases of Arc/Info, Arc Macro Language (AML), spatial databases, the Internet, Sun, Sparcstations and Solaris, ArcView and the Avenue scripting language, mobile devices, big data, real-time, Perl, Python, spatial analytics, UAVs and 3D cities.  His main point is that geospatial folks have always been at the forefront in adopting new technologies and that GIS has a history of pushing the envelope.  His recommendation for GIS professionals is

  • A always
  • B be
  • L learning

He also concluded that a GIS professional is a programmer, not in the restricted sense of a software developer, but in the more general sense of someone who makes computers do things.  James is clearly a fan of scripting languages including AML, Javascript and Perl.  He sees Python becoming the world’s primary scripting language
Python bees knees James Fee(“Python is the bee’s knees”).  James is a major baseball fan and he asserted that If you like GIS, you like statistics and furthermore if you like statistics, you like baseball. He gave a very simple example of using Python and several Python mathematical libraries to generate an interesting perspective on current baseball standings.

To answer the title question, what should a GIS professional do to stay relevant ?  James asserted that if you

  • Put points on a map and throw up a scale bar
  • Perform geoprocessing without Python or Model Builder
  • Have a job description of “Plotter Operator”
  • Have no idea what “fuzzy tolerance” is

GIS professional 2 James Feeyou will soon be out of a job.  On the other hand if you

  • Embrace Python as your GIS tool of choice.
  • Use Model Builder to automate your work flows.
  • Learn new tools such as TileMill/Mapnik/PostGIS

(all open source geospatial I would add) your future is bright.

Geoff Zeiss

Geoff Zeiss

Geoff Zeiss has more than 20 years experience in the geospatial software industry and 15 years experience developing enterprise geospatial solutions for the utilities, communications, and public works industries. His particular interests include the convergence of BIM, CAD, geospatial, and 3D. In recognition of his efforts to evangelize geospatial in vertical industries such as utilities and construction, Geoff received the Geospatial Ambassador Award at Geospatial World Forum 2014. Currently Geoff is Principal at Between the Poles, a thought leadership consulting firm. From 2001 to 2012 Geoff was Director of Utility Industry Program at Autodesk Inc, where he was responsible for thought leadership for the utility industry program. From 1999 to 2001 he was Director of Enterprise Software Development at Autodesk. He received one of ten annual global technology awards in 2004 from Oracle Corporation for technical innovation and leadership in the use of Oracle. Prior to Autodesk Geoff was Director of Product Development at VISION* Solutions. VISION* Solutions is credited with pioneering relational spatial data management, CAD/GIS integration, and long transactions (data versioning) in the utility, communications, and public works industries. Geoff is a frequent speaker at geospatial and utility events around the world including Geospatial World Forum, Where 2.0, MundoGeo Connect (Brazil), Middle East Spatial Geospatial Forum, India Geospatial Forum, Location Intelligence, Asia Geospatial Forum, and GITA events in US, Japan and Australia. Geoff received Speaker Excellence Awards at GITA 2007-2009.

View article by Geoff Zeiss

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